tag:blogger.com,1999:blog-10112238.post112507241261899455..comments2023-10-30T08:22:42.478-04:00Comments on GIERSCHICKWORK: Layers, revisitedGIERSCHICKhttp://www.blogger.com/profile/16036540745869821305noreply@blogger.comBlogger4125tag:blogger.com,1999:blog-10112238.post-1125090882853314412005-08-26T17:14:00.000-04:002005-08-26T17:14:00.000-04:00ahhh did not mean to post the same thing three tim...ahhh did not mean to post the same thing three times!!!Ben Voltahttps://www.blogger.com/profile/01802664062483963305noreply@blogger.comtag:blogger.com,1999:blog-10112238.post-1125090817560751812005-08-26T17:13:00.002-04:002005-08-26T17:13:00.002-04:00Why do you think that the grid is so appealing for...Why do you think that the grid is so appealing for artists? Is it because it gives us a system to explore within? I love the grid also, sometimes too much. <BR/><BR/>A general appeal towards layering for me harkens back to that first time I learned how to use the layer feature on adobe photoshop. I was amazed at that feature. Wouldn’t it be nice if the physical world had features like photoshop, where you could hide, delete and lock physical layers. Oh well…<BR/><BR/>I see the paint that you place on your “found” surface as a sort of layering process. Do you consciously think about this as you plan your paintings?Ben Voltahttps://www.blogger.com/profile/01802664062483963305noreply@blogger.comtag:blogger.com,1999:blog-10112238.post-1125090812587785612005-08-26T17:13:00.001-04:002005-08-26T17:13:00.001-04:00Why do you think that the grid is so appealing for...Why do you think that the grid is so appealing for artists? Is it because it gives us a system to explore within? I love the grid also, sometimes too much. <BR/><BR/>A general appeal towards layering for me harkens back to that first time I learned how to use the layer feature on adobe photoshop. I was amazed at that feature. Wouldn’t it be nice if the physical world had features like photoshop, where you could hide, delete and lock physical layers. Oh well…<BR/><BR/>I see the paint that you place on your “found” surface as a sort of layering process. Do you consciously think about this as you plan your paintings?Ben Voltahttps://www.blogger.com/profile/01802664062483963305noreply@blogger.comtag:blogger.com,1999:blog-10112238.post-1125090797980545702005-08-26T17:13:00.000-04:002005-08-26T17:13:00.000-04:00Why do you think that the grid is so appealing for...Why do you think that the grid is so appealing for artists? Is it because it gives us a system to explore within? I love the grid also, sometimes too much. <BR/><BR/>A general appeal towards layering for me harkens back to that first time I learned how to use the layer feature on adobe photoshop. I was amazed at that feature. Wouldn’t it be nice if the physical world had features like photoshop, where you could hide, delete and lock physical layers. Oh well…<BR/><BR/>I see the paint that you place on your “found” surface as a sort of layering process. Do you consciously think about this as you plan your paintings?Ben Voltahttps://www.blogger.com/profile/01802664062483963305noreply@blogger.com